Sabicas Score books


- "Flamenco Puro" transcription by Juan de la Mata
- "Maestros de la Guitarra Flamenca" transcription by Claude Worms
- "Rey del flamenco" transcription by Allan Faucher
- " Legendary Flamenco Guitaris" transcription by Juan de la Mata

Sabicas: "Flamenco puro"
Reference: L-SABICAS-01

Transcription by Juan de la Mata, second guitar of SABICAS for more than 30 years.
Played by Jose Manuel Montoya

Themes:
Por los olivares – Fandangos
Ecos jerezanos – Soleá por bulerías
Punta y tacón - Farruca

Includes a CD with the themes recorded at normal tempo and to a tempo that is approximately 20% slower than the tempo indicated on the score. This has been done so that the student can better appreciate the sonority of each piece.

Format A4
48 pages

Introduction in Spanish, English and French.

Tablature and standard notation

"Maestros de la Guitarra Flamenca"
Reference: L-SABICAS-02

lThis series entitled "Maestros clásicos de la guitarra flamenca" by Cluade Worms contains transcriptions of the finest compositions of the masters, works widely considered as a pinnacle in the history of flamenco guitar. CD is included

Alegrías
Bulerías
Fandangos
Farruca
Granaína
Malagueña
Siguiriya
Soleá
Soleá por Bulería
Taranta

Includes CD

Format A4
78 pages

Introduction in Spanish, English and French.
Tablature and standard notation

"Rey del flamenco "
Reference: L-SABICAS-03

Six compositions by the legendary Sabicas from his 1966 Album "Rey del Flamenco". The book includes a CD of all six transcriptions. .

Aires de Puerto Real (soleá)
zapateado en Re
La Trinidad (malagueña)
Olé mi Cádiz (Alegrias)
Sentimiento gitano (Siguiriya)
Embrujo de Huelva (fandangos)

Music and tablature.
Spanish, English and French

Transcripction by Alain Fauche

" Legendary Flamenco Guitarist
Reference: 20405

This book presents three challenging extended flamenco guitar solos by the legendary Agustín Castellón Campos, best known as Sabicas (1912-1990). The selections are: Bronce Gitano, Campiña andaluza, and Duelo de campanas. Brief explanations of digitation symbols, flamenco tremolo technique, notation/tab conventions and use of the cejilla or capo are included. All of the music in this book appears in both standard notation and tablature.

Juan de la Mata, the transcriber of the pieces in this book, enjoyed a 30-year professional relationship with Sabicas and is a seasoned performer in the flamenco style. He has preserved not only the notes, but the spirit and nuance of this music as Sabicas played it.

Bronce Gitano (Soleares)
Campiña andaluza (Alegrías)
Duelo de campanas (Siguiriyas)

Music and tablature.
Spanish, English